I'm not going to teach anyone how to write so the title may be a bit misleading. This blog however will focus on how Eyes On Me came to be.
When I knew I wanted to write a film in long-story fashion, I knew I had to work by constraints. That was my first concern. We are, of course, No Budget Productions. Were not down right poor as our title may mislead, but were not funded by anyone in particular and if something needs to be bought or created, it usually comes out of our own middle-class pockets.
Eyes On Me started out with two simple catch phrases: "The night he came home" and "No man is an island." Using one would be outright plagiarism. The other is an adage and I will use it, probably as the film's tagline.
The first is the tagline of classic slasher film "Halloween." In this film Jamie Lee Curtis plays Laurie Strode, a high school girl who is being unknowingly (until the last 20 minutes of the film when she discovers her friends corpses and puts two and two together) followed by Michael Myers, the bogeyman incarnate. Now later films have tried to add sense to this plot by making Michael her brother and making it a big curse and such and such. Thats crap. Michael Myers is the bogeyman. He is not an insane person. He is not looking for revenge or family connections. He is "purely and simply evil," as quoted by Donald Pleasance.
Now that I've got that out of the way.......
"The night he came home" is the tagline of the film. And that idea, along with the idea that "No man is an island," are things I wanted to fuse together. Someone is returning home and someone can't escape.
Thats basically it folks.
So I created a story out of it, a story that I shared in the last blog. When I told this story idea to friends and co-creators Zaque Smith and Jonathan Dantzler, they thought it was wonderful, which I was glad to hear, because they definitely would have let me know if they thought the idea was awful.
So, having outlined this plot, I set out to write a script.
First of all, I wanted to get rid of "child molester looking for redemption" cliches I see all the time in movies. This required me to make the main character someone other than the former pedophile. By putting him in a relatively secondary role, I was able to put the focus more on the town and on the man I truly wanted to focus on, his brother.
I wrote my script (in parts) first on paper, due to me having no real good script-making software to use. Than I lost the papers. So when it came time to collaborate and type this sucker up, it usually just consisted of me standing and pacing behind Jonathan, telling him ideas and trying my best to quote pieces of the script I could remember. And it worked.
From my best recollection, the things I had written down were over-dramatic schlock, where any phrase made by any character was this powerful, deep message. Thanks to my collaborators, we managed to write something much more real than that. People in the new script talked like normal people talked, which was necessary, since all the characters are on the same playing field. No character really stands out in terms of extra power. Well that would be a lie, since some characters obviously hold more power than some of the others, but they are all just normal people.
After this was done, I revised the script, "punching up" parts that I felt were lacking. This is not a full length film (though it is much longer than anything we have ever attempted to shoot,) so all the scenes need to count.
Painfully, as I read back over this blog, I see it is a disjointed mess and I apologize if you read parts and wonder "Where in the hell is this guy going with all this?"
I tried. I'm over it.
In the next blog I start the casting run down, telling about all the actors and their respective characters. Thank you for taking the time to read this blog and support this project.
And if you want to talk about John Carpenter's Halloween, I'd be more than happy to oblige.
And if you want to argue about said film, I will win.
-Daniel